Transcendence

Poem inspired by Chris H. Lynn’s film – https://framingsounds.com


She draws through the air:
grace
force
youth.

The space is an extension of her body:
extends
flexes
grows.

She gently moves:
strokes
harmless
rhythm.

With her delicate arms and legs
All in harmony
She follows the melody on the voice command
in the duality of her existence.

She draws through the air:
movement
slow
kind.

No space to be occupied:
consciousness
full
awakening.

Her body moves on ancient wisdom:
complete
integrated
fully.

With her being in unity of Sansara and Nirvana
She is not one or the other, nor herself
She lives in the world and the world lives inside her
where time and space do not exist.

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About Ana Villas Boas

I’m an urban sociologist and runner based in São Paulo, Brasil, focused on studies about body movement, landscapes, sounds, silence and senses. My current work has been on cultural heritage and preservation studies and I’m also yoga teacher, certified by Kundalini Research Institute.
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One Response to Transcendence

  1. The poetry dances along with the dancer. The dancer draws with the poem. And the result is an architecture of references to essential energies of life. The dialectic of opposites will build a new reality: from the softness of nature is born the strong lyric art.

    Liked by 1 person

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